The Magic Lantern of Marcel Proust (Classic Reprint) (9780259495598) Howard Moss Books
Download As PDF : The Magic Lantern of Marcel Proust (Classic Reprint) (9780259495598) Howard Moss Books
Excerpt from The Magic Lantern of Marcel Proust
The word way in English, like the phrase da co'té in French, has a double meaning. It means, on the one hand, a direction, progression, or journey; and on the other, an aspect, manner, or style. Swann's way and the Guermantes way are pilgrimages and places; they are also modes of living.
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The Magic Lantern of Marcel Proust (Classic Reprint) (9780259495598) Howard Moss Books
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The Magic Lantern of Marcel Proust (Classic Reprint) (9780259495598) Howard Moss Books Reviews
The second listed edition is unreadable, a dog's breakfast of garbled OCR output with no proofing or formatting whatsoever. The first version that's 4 cents cheaper is fine. S
A good book for someone just reading about Proust for the first time. It's a quick read, I think it took me two sittings yet it still gives insight into "Remembrance". Great for the casual fan of Proust looking for help in beginning to tackle some of the meaning of the novel.
Read Andre Maurois excellent The Quest for Proust 1949, last published by Peregrine Books in 1962 we can discuss this then,. (Why such an extraordinary book is not published again I don't know).
Just a beautiful book trenchant insights and elegant, limpid prose. Worthy of Proust himself.
This short book is an excellently written companion to "Remembrance of Things Past." Mr. Moss presents insights and interpretations that greatly increased my understanding and pleasure and answered many of my questions.
An awesome book on the classic by Proust! This is the one to read~ there are so many books out there on Proust and his
masterpiece. This one is brief and to the point and more insightful than most out there. Read "In Search of Lost Time", fall in love, and then re-live all the beauty and insights with this gem from Howard Moss.
Anyone interested in Marcel Proust does indeed enjoy an embarrassment of riches. We are blessed in English with several superb full-length critical biographies, beginning with George Painter's pioneering work, and more recently by the spectacular biography by the dean of Proust studies, Jean-Yves Tadie, and the almost equally as superb (and perhaps more readable) biography by William C. Carter. We are also blessed with a plethora of first-rate advanced studies, either written originally in English, or translated from the French or German.
Despite this, we have a shortage of introductory works on Proust. Samuel Beckett wrote a very short and one of the earliest studies of Proust, but despite its excellence, it is not really appropriate as an introduction. The prose is excruciatingly thick at times, and the argument sometimes completely obscure (Beckett is said years later to have found it impenetrable in many places), not qualities one seeks in an introductory work.
Luckily, this clearly conceived and transparently written by Howard Moss, long poetry editor at the NEW YORKER, makes a perfect introduction. Unluckily, it is currently out of print. Hopefully, some publisher will rectify this situation by making it available to the reading public.
THE MAGIC LANTERN OF MARCEL PROUST is a very short book, and obviously in such a work there can be no attempt at a comprehensive discussion of all the minutiae in the film. Instead, Moss discusses certain motifs that reveal Proust's overarching concerns in the RECHERCHE. For instance, "The Gardens," the second chapter, focuses on the landscapes and physical locations there, and what they reveal about the structure of his work. "The Parties" focuses on Proust's analysis of society and class. "The Way" discusses the ideas that provide the central structuring for the work as a whole.
What I love most about Moss, in addition to his magnificently clear and unelliptical prose, is his integrity as a reader. Too many writers about Proust graft onto their discussion their own principal interests. Moss takes the reader of Proust--whether actual or potential--into the heart of the text itself. One gains the sense of what is central to Proust, and not merely to the critic writing about Proust.
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